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The Day the King of Pop Met the King of Reggae: The Story of the Concert That United Michael Jackson and Bob Marley

In 1975, two of the most significant figures in modern music shared a stage in Kingston, Jamaica. The event brought together The Jackson 5, the American pop sensation led by a teenaged Michael Jackson, and Bob Marley & The Wailers, the group that was on the verge of bringing reggae to a global audience. This performance occurred at a pivotal moment for both acts, capturing a unique intersection of their careers.

The Concert at the National Stadium

The Jackson 5, which included brothers Michael, Jermaine, Marlon, Jackie, and Tito, came to Jamaica to perform on March 8, 1975. The concert was held at the National Stadium in Kingston and was a major event for Jamaican music fans. At this point, Michael Jackson was already a star. As a solo artist and lead singer of the family group, he had sold millions of records and was known for his dynamic stage presence. For many in the Jamaican audience, seeing The Jackson 5 live was a highly anticipated event.

The Jackson 5 were the headliners for the show. They performed their well-known hits, showcasing the tight choreography and polished pop-soul sound that had made them famous under the Motown record label. The Jamaican crowd was enthusiastic, eager to see the American superstars perform.

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Bob Marley and The Wailers Take the Stage

Also on the bill for that night were Bob Marley & The Wailers. In early 1975, Marley was a national hero in Jamaica, but he had not yet achieved the international breakthrough that would make him a household name worldwide. That would happen just a few months later with the release of the single “No Woman, No Cry” from his live album recorded in London.

On stage at the National Stadium, Bob Marley and his band delivered a powerful performance of their own. They played their politically charged and spiritually infused reggae music, a sound deeply rooted in Jamaican culture. The group’s presence on the same ticket as a major American pop act highlighted the growing prominence of reggae music.

A Meeting of Musical Royalty

The event marked the only known time that Bob Marley and Michael Jackson performed at the same concert. Backstage, the artists met. Photographs from the encounter show a young Michael Jackson shaking hands and speaking with Bob Marley. At the time, The Jackson 5 were experiencing a professional decline and were in their final year with the Motown label. Their visit to Jamaica came as they were looking for new directions.

For Bob Marley, the concert was another step in his ascent. Sharing the stage with an act as popular as The Jackson 5 provided a significant platform in his home country. The performance took place just before he would become an international icon, solidifying his status as the face of reggae music.

#1 The Jackson 5 and The Wailers hang out on a fallen mango tree at 56 Hope Road with promoter Chester McCullough and some close friends.

#2 The Jackson 5 and The Wailers hang out on a fallen mango tree at 56 Hope Road with promoter Chester McCullough and some close friends.

#3 The Jackson 5 and The Wailers hang out on a fallen mango tree at 56 Hope Road with promoter Chester McCullough and some close friends.

#4 Michael and Marlon Jackson at 56 Hope Road with Seeco Patterson (right). (Photo by Lee Jaffe)

#5 The Jacksons’ mother Katherine Jackson with Marley.

#8 Bob live at the Wailers/Jackson 5 concert in Kingston, 1975 (Photos by Neville Garrick © Fifty-Six Hope Road Music, Ltd.)

#9 Bob live at the Wailers/Jackson 5 concert in Kingston, 1975 (Photos by Neville Garrick © Fifty-Six Hope Road Music, Ltd.)

#10 The Wailers performing together for one of the last times, on the same bill as the Jackson 5 at the National Arena in Kingston, 1975

Written by Rachel Mitchell

Rachel Mitchell is a vintage fashion enthusiast with a passion for all things retro. She is interested vintage fashion styles, trends, and accessories, and provides tips and tricks for incorporating vintage pieces into modern wardrobes.

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