In 1996, New York City was hit by one of the most severe blizzards. Twenty inches of snow fell during the storm, along with 50 mph winds and drifts as high as 8 feet. The powerful winter storm developed when cold air came from the Gulf of Mexico combined with hot air coming from Canada; it hit NYC on January 6 and lasted for 37 hours, dropping 2 inches of snow per hour on average.
Schools were closed, mail was snarled, food deliveries were delayed, and disrupted travel. Only the police, fire department, and hospital staff reported to work; residents were advised to stay home and await the passing of the storm. The storm intensified, and traffic came to a halt, leaving many people stranded mid-way to their destinations. There was high anxiety and frustration at airports, bus terminals, and rest stops along highways. The grocery stores looked as foreboding and empty as they did in post-apocalyptic films by evening. Con Edison reported a power outage in Gravesend, Brooklyn, affecting 1500 customers, though services would be restored the following night. From Washington to Boston, damages were estimated at a billion dollars, while casualties reached a hundred from Kentucky to Connecticut. People living on the streets of New York were the most affected. Even though the city made every effort to relocate the homeless safely, only 7200 beds in 39 shelters were occupied.
Miss our 2016 blizzard ❄️
Pretty sure those slogans on the movie theater marquees in the Times Square photos are Jenny Holzer’s work.
Yes! Part of her Survival Series. So cool
I really should buy one of her books.
I was there, I seent it. School let us out early and the snow was already up to our knees.
Thanks, I was going to ask. Were there no movies at that time?
I think what probably happened was that Holzer’s pieces were “commissioned” (paid for) to be displayed on a specific number of marquees (i.e., in the Times Square area—high visibility), obviously for a price. So the theaters—maybe some of them were “adult theaters”?—got far more kick back (i.e., rental fees) on just their marquees’ display space for, say, a week or two (what ever the [artistic] exhibition “run” was for her installation[s]) than if they were just being used to advertise whatever XXX movies they were running. I.e., inside the theaters, movies were still being shown; it was just the marquees were “repurposed” for something else.
I was living in Times Square during the blizzard it was so cool walking up Broadway, it was so strangely peaceful and beautiful.
I was working in TV production in the winter of ‘96, and as the lowest level employee (office PA), I was stuck having to try and go to work the day the storm hit so as to prove it wasn’t possible for anyone to go in and the show could get insurance to pay for any lost days.
It usually took me 30 minutes at 6:00 am to get door to door via the train from the UWS to open the production office in Chelsea, but on that day there were few trains, even fewer taxis, and when I finally got down there two hours later, the doors to the old factory where the show was shot were locked. The one guard who was there was pissed because his relief was running way late. It took me almost three hours to get back to my apartment, where I called the unit production manager and she took it from there.
We had 2 days of no shooting, and the day everyone went back, it was a madhouse because we were behind schedule, and we couldn’t use the weekend to catch up. SAG wasn’t about to let the production have actors working 7 days straight, blizzard or no blizzard.