In the early 1900s, portrait studios in Germany offered more than stiff poses and plain curtains. Many embraced hand-painted backdrops designed to create playful, whimsical scenes for their clients.
These studios painted giant landscapes that placed subjects in hot air balloons, aboard steamships, or perched on crescent moons. Customers could stand beside painted bicycles with handlebars jutting out in real life, giving the illusion they were mid-ride. Some backdrops mimicked city streets or seaside piers, with real props blending into the painted scene so well that the eye accepted them as part of the photograph.
The humor often came from exaggerated perspectives. A person appear to tower over a tiny painted town, or dangle dangerously from a cartoonish rope bridge. In other scenes, people “sat” in painted cars, their real legs hidden behind a board to make it appear they were driving. Photographers positioned sitters with precision so that the painted background aligned perfectly with their bodies.
Read more
These backdrops allowed everyday people to stage adventures far outside their actual lives. A shopkeeper in Bremen could look like a daring pilot; a housewife from Cologne could appear to be sailing down a river with friends. For a small fee, anyone could have an image that mixed fantasy and reality in ways both comical and charming.
Many of these portraits were printed as postcards, which people mailed to relatives across Germany and abroad. The lighthearted scenes stood out from the usual studio formality, and recipients often saved them in family albums.
The craft of these backdrops required both artistic and photographic skill. Artists painted on large canvas sheets with careful attention to shadow, perspective, and scale so that the illusion would work from the camera’s viewpoint. Studio owners reused these backgrounds for years, offering customers a choice of whimsical scenes to match the mood they wanted.