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Tripods in the Trenches: How Photographers Captured the First World War Under Fire

Between July 1914 and November 1918, photographers documented the First World War in ways that had never been attempted before. Cameras were taken into trenches, onto ships, and even into the skies to record both combat and daily life. These images became crucial records for governments, newspapers, and families back home.

Many photographs were taken by official military photographers. These men, often enlisted soldiers with camera skills, were tasked with producing images that could be used for propaganda, morale, and historical archives. Their work included portraits of soldiers, scenes of military equipment, and landscapes showing the devastation of battle.

Photographic technology in 1914 was still bulky compared to today. Most field photographers used large-format cameras on tripods, which required glass plate negatives or early roll film. This meant setting up shots carefully, often under fire or in dangerous conditions. Exposure times were short enough to capture movement, but low light in the trenches remained a constant challenge.

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Censorship was strict. Photographers could not freely publish images showing dead soldiers, severe injuries, or sensitive military positions. Many images released during the war presented a controlled view, highlighting bravery and resilience while avoiding scenes that could harm morale.

Not all photographers were official. Some soldiers carried personal cameras despite regulations, capturing candid moments with friends or documenting life between battles. These unofficial photographs often show more relaxed scenes—meals, games, or small gatherings—that rarely appeared in the press.

Aerial photography emerged as a critical tool during the war. Cameras mounted to planes captured detailed images of enemy trenches, artillery positions, and supply routes. Pilots and observers had to change film mid-flight, sometimes leaning over the side of the aircraft to get the right angle. These photographs were used to update maps and plan military operations.

Photographers also worked behind the lines, documenting hospitals, training camps, and the manufacture of weapons. These images helped tell the story of the war beyond the battlefield, showing the vast network of support required to keep armies in the field.

Some photographers followed troops to remote fronts outside of Western Europe, including the Middle East, Africa, and the Eastern Front. Their work recorded different terrains and climates, from desert campaigns to snow-covered battlefields.

#1 Photographer making arrangement with Spanish Guard to get views of horses crossing bridge for purchase by A.E.F., Hendaye, Basses Pyrennes, France, 1918.

#2 Members of Photo Unit G.H.Q. Chaumont: Cpl. J.S. Schlick; Pvt L.S. Pauley; Capt. C. Christie; Sgt. H.A. Nash; Pvt. Jack Estes; Lt. L.J. Rode.

#3 Photo Unit after making pictures: Lieut. Strohmeyer (in observer’s seat in plane) Sgt. A.J. Roach by movie camera; Lt. E.G. White, Signal Officer, French Sergeant-Pilot Geriet.

#4 Lt. Sintzenich on roof of ambulance making moving pictures of crowd outside of Buckingham Palace celebrating signing of Armistice.

#5 Running 5th Army Photographic Car off ferry, Devant, Mouzon, Ardennes, France, 1918.

#6 Children of Archangel forget their usual call of American-ski biscuit long enough to pose for Movie Operator, Archangel, Russia, 1918.

#7 6th Division Photographic Unit: Lt. J.C. Zimmerman, Sgt 1st Cl E.R. Tarbold, and Pvt Lannis P. Gologhtly.

#8 2nd Lieut. A.H.C. Sintzenich, official photographer, S.C. taking pictures along narrow gauge railway through Aerodrome, Ford Junction Aerodrome, Sussex, England.

#9 French photographers making pictures of French and American soldiers, Gondrecourt-Sur-Meuse, France, 1918.

#10 Official Photographer, 2nd Lieut. A.H.C. Sintzenich, S.C. operating Debrie camera from Farman Plane No. 1741 and 1st Lieut. A.W. Bevin, A.S. pilot, about to make a flight over the Aerodrome.

#11 Photo Unit photographing the bridge at Grandpre over the Aire River which had been 3x blown by the Germans, and rebuilt Co. B, 303rd Engrs, Grandpre, Ardennes, F.

#12 Sgt. Chas. E. Mace of the SC, making pictures in St. Juvin; this picture was taken the day that the Americans renewed their offensive, St. Juvin, Ardennes, France.

#13 Engineers removing the aerial bomb planted under the bridge which did not explode; S.C. cameraman on the job.

#14 Wreck of a Liberty plane which was smashed in the get-away, showing the movie camera attached to the observer’s set, Rembercourt, Meurthe et Moselle, Fr.

#15 Signal Corps Movie Operator Pvt. Morse photographing passing throngs during celebration of the signing of the armistice, Place de La Concorde, Paris, Seine, Fra.

#16 Photographers going into battle on a British Army Tank: Sgt Morris and Pvt Persse, S.C. on battlefield between Villeret and Bellicourt, 1918.

#17 The American Army advance northwest of Verdun; Lieut McDonald films 6th, 1st ID artillery duel in Argonne, Exermont, Ardennes, 1918.

#18 American S.C. Movie Unit at work, in a French OP, Cigarette Butte, (Hill 274) near Mt. Des Allieux France.

#19 Lieutenant Shoesack in front of Photo Unit dugout, Photo Unit, 4th Division, Cuisy, Meuse, France, 1918.

#20 Truck trains unloading another consignment of Americans a barrack in Lorraine, France; a U.S. Signal Corps photographer filming them as they arrive, 1918.

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Written by Michael Rodriguez

Michael Rodriguez is a content creator and historian who specializes in creating viral listicles and other engaging content about historical photos and events. He has a passion for history in a fun and accessible way, curating interesting and informative lists that showcase the lesser-known stories and significance behind famous historical events and figures.

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