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Victorian Burlesque Dancers and their Interesting costumes from the 1890s

Burlesque refers to literary, dramatic, or musical works meant to provoke laughter by parodying serious works or ludicrously treating their subjects. It’s an entertainment form with parodic humor that involves comic skits, chorus lines, or stripteases. The burlesque performers often create elaborate sets with lush, colorful costumes, mood-appropriate music, and dramatic lighting. Performers may use novelty acts such as fire-breathing or unusual flexibility demonstrations to enhance their impact.

Burlesque originated in the 1840s when working-class society clashed with social rules from the aristocracy early in the Victorian Era. It became a popular blend of satire, performance art, and adult entertainment during the early twentieth century. Burlesque turns social norms head over heels. Traditionally, the genre encompasses dancing girls, chanson singers, stand-up comics, mime artists, and strip tease, all satirical and saucy. Especially in the United States, the term refers to various shows. Bawdy comedy and female striptease were popular from the 1860s to the 1940s, often in cabarets and clubs. Many burlesque entertainment has been dedicated to lowbrow and ribald subjects, perhaps due to historical, social tensions.

Burlesque Shows were popular from the 1870s through the 1920s and were raucous and bawdy. It was inspired by Lydia Thompson and her troupe, the British Blondes, who first appeared in the United States in the 1860s, and early “leg” shows such as The Black Crook (1866). There is a strong connection between American burlesque’s form, humor, and aesthetic traditions and the minstrel show. One well-known burlesque troupe was Rentz-Santley Novelty and Burlesque Company, which was established by M.B. Leavitt in 1870, who pioneered minstrel shows’ feminisation with minstrel shows Madame Rentz’s Female Minstrels. Burlesque shows mocked traditional entertainment forms such as opera, Shakespeare’s plays, musicals, and ballet. Costumes (or lack of them) increasingly reflected unpolite conditions of dress.

The burlesque developed some informal rules for defining itself by the 1880s: sexually suggestive dialog, dancing, plotlines, and staging, pun-laden humor, short routines or sketches with minimal plot cohesion across a show, and minimal costumes for female performers. By the late 1920s, striptease had overshadowed comedy, and burlesque was subject to extensive local legislation. The popularity of burlesque gradually declined after the 1940s. During the 1930s and 1960s, several producers recreated burlesque on stage and in Hollywood films to capitalize on nostalgia for the entertainment.

These photos are from the Charles H. McCaghy Collection of Exotic Dance from Burlesque to Clubs. These photographs are from the personal collection of Dr Charles H. McCaghy, professor emeritus at Bowling Green State University’s Department of Sociology.

#1 Eliza Blasina wearing horse-head headdress, short costume with attached horsetail, rows of round beads or bells around ankles, wrists, neck and upper arm.

Eliza Blasina wearing horse-head headdress, short costume with attached horsetail, rows of round beads or bells around ankles, wrists, neck and upper arm.

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#2 Ella Chapman in short metallic armor costume, including leggings, helmet with feather. Rice’s surprise party.

Ella Chapman in short metallic armor costume, including leggings, helmet with feather. Rice’s surprise party.

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#3 Dolly Adams with fringe at the bottom of a short costume, tights, short-heeled boots topped with fringe, cross at neck, cap.

Dolly Adams with fringe at the bottom of a short costume, tights, short-heeled boots topped with fringe, cross at neck, cap.

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#4 Rose Hamilton in a short costume, shoes with a strap over the instep.

Rose Hamilton in a short costume, shoes with a strap over the instep.

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#5 Miss Darcey in short male Renaissance costume with over-the-knee leggings.

Miss Darcey in short male Renaissance costume with over-the-knee leggings.

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#6 Minnie Marshall sitting on a stone fence, in a short dress and boots.

Minnie Marshall sitting on a stone fence, in a short dress and boots.

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#7 Alice Atherton in a short, feathery costume, tights, parasol, mid-forearm white gloves, mid-calf white heeled and laced boots, feathery hat.

Alice Atherton in a short, feathery costume, tights, parasol, mid-forearm white gloves, mid-calf white heeled and laced boots, feathery hat.

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#8 Jessie Barlett-Davis’ costume suggests 15th century.

Jessie Barlett-Davis’ costume suggests 15th century.

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#9 Sylvia Gerrish with draped dress and pointed hat in the woods.

Sylvia Gerrish with draped dress and pointed hat in the woods.

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#10 Gracie Wilson in costume with a cape.

Gracie Wilson in costume with a cape.

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#11 Jennie Dickerson in a pseudo-military outfit.

Jennie Dickerson in a pseudo-military outfit.

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#12 Viola Clifton facing front in a sleeveless, short, fringed top and short, fringed trunks.

Viola Clifton facing front in a sleeveless, short, fringed top and short, fringed trunks.

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#13 Jennie Lee sitting on a chair holding a headdress.

Jennie Lee sitting on a chair holding a headdress.

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#14

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#15 Nellie Page posing in a nightgown.

Nellie Page posing in a nightgown.

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#16 Adah Richmond leaning on a stone fence.

Adah Richmond leaning on a stone fence.

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#17 Leontine wearing ballet shoes.

Leontine wearing ballet shoes.

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#18 Vernona Jabeau, in high boots, hat, holding a candle in a long holder.

Vernona Jabeau, in high boots, hat, holding a candle in a long holder.

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#19 Unidentified female performer [Camille?] in a short sailor-style costume, shoes with knee-high stockings.

Unidentified female performer [Camille?] in a short sailor-style costume, shoes with knee-high stockings.

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#20 Pauline Hall in a short, Greek style costume, flat shoes.

Pauline Hall in a short, Greek style costume, flat shoes.

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#21 Miss Farrington in a short sleeveless costume, holding bow and arrow, with quiver and arrows on back, buttoned and heeled boots.

Miss Farrington in a short sleeveless costume, holding bow and arrow, with quiver and arrows on back, buttoned and heeled boots.

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#22 Louise Montague in a mini dress with fringe.

Louise Montague in a mini dress with fringe.

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#23 Ida Florence, “The California Prize Beauty,” in body stocking covered with transparent fabric, posed as statue.

Ida Florence, “The California Prize Beauty,” in body stocking covered with transparent fabric, posed as statue.

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#24 Josie Gregory in a short, Mexican style costume.

Josie Gregory in a short, Mexican style costume.

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#25 Elvira Viola, sitting in fur fringe.

Elvira Viola, sitting in fur fringe.

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#26 Eliza Weathersby, as Gabriel, in Rice & Goodwin’s opera bouffe, “Evangeline,” probably during a performance at Boston Museum, 1877.

Eliza Weathersby, as Gabriel, in Rice & Goodwin’s opera bouffe, “Evangeline,” probably during a performance at Boston Museum, 1877.

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#27 Clara Davenport in a short sleeveless costume fringed at legs and armholes.

Clara Davenport in a short sleeveless costume fringed at legs and armholes.

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#28 Carrie McHenry as Jako in Bohemian Gy-url [sic], Colville Opera Company.

Carrie McHenry as Jako in Bohemian Gy-url [sic], Colville Opera Company.

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#29 Gussie Crayton in hat with feather, short sleeveless costume with half-calf laced boots.

Gussie Crayton in hat with feather, short sleeveless costume with half-calf laced boots.

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#30

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Written by Orla Morris

Full-time dress and costume designer, Half Persian half Italian. I still don’t know how to write, but i'm writing and you are reading :)

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