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Iconic Album Covers Reimagined on Their Original NYC Street

New York City has served as a physical backdrop for some of the most famous album covers in music history. Researcher Bob Egan made it his mission to track down the exact spots where those photos were taken — then superimposed the original covers onto the modern-day streets. The results are striking. From Hell’s Kitchen to Greenwich Village, the locations are all real, and many are still recognizable today. One of the earliest examples dates to 1957.

Here's the cover of 'West Side Story', the 1957 Leonard Bernstein musical, superimposed on the street as it looks tonight, tonight.
Here’s the cover of ‘West Side Story’, the 1957 Leonard Bernstein musical, superimposed on the street as it looks tonight, tonight.

The project spans decades of rock history. Egan pinpointed Morningside Heights for The Who’s 1979 documentary soundtrack cover, placing it at 116th Street and Morningside Drive near the Carl Schurz Monument.

The location for the cover of The Who's soundtack to the 1979 documentary 'The Kids Are Alright' is 116th Street and Morningside Drive, Morningside Heights, New York City. The site is part of the Carl Schurz Monument.
The location for the cover of The Who’s soundtack to the 1979 documentary ‘The Kids Are Alright’ is 116th Street and Morningside Drive, Morningside Heights, New York City. The site is part of the Carl Schurz Monument.

Downtown Manhattan also features heavily. Van Morrison’s ‘Too Long In Exile’ was shot outside 246 Pearl Street, while The Velvet Underground’s 1972 live album was photographed at 213 Park Avenue South.

Van Morrison fans can go for some backyard chicken at the site where the cover of 'Too Long In Exile' was shot outside 246 Pearl Street between Fulton Street and John Street.
Van Morrison fans can go for some backyard chicken at the site where the cover of ‘Too Long In Exile’ was shot outside 246 Pearl Street between Fulton Street and John Street.
The Velvet Underground's 'Live At Max's Kansas City' (1972) was shot at 213 Park Avenue South, east side between 17th and 18th Street, New York.
The Velvet Underground’s ‘Live At Max’s Kansas City’ (1972) was shot at 213 Park Avenue South, east side between 17th and 18th Street, New York.

Bob Dylan posed on the front steps of 4 Gramercy Park West for his 1965 album ‘Highway 61 Revisited.’ Neil Young’s ‘After The Gold Rush’ cover was taken at the corner of Sullivan Street and West 3rd Street in Greenwich Village.

Bob Dylan was photographed on the front steps of 4 Gramercy Park West, New York City for the cover of 'Highway 61 Revisted' (1965).
Bob Dylan was photographed on the front steps of 4 Gramercy Park West, New York City for the cover of ‘Highway 61 Revisted’ (1965).
The full story behind our sleuth's discovery of the exact spot where the cover for Neil Young's 'After The Gold Rush' was taken is well worth reading.
The full story behind our sleuth’s discovery of the exact spot where the cover for Neil Young’s ‘After The Gold Rush’ was taken is well worth reading.

The New York Dolls’ 1973 self-titled debut was shot outside the Gem Spa at St. Mark’s Place and 2nd Avenue — a corner that defined the city’s glam-punk era. The Ramones’ ‘Rocket To Russia’ was captured in Extra Place, the small alley behind CBGB.

This cover for 'The New York Dolls' (1973) by The New York Dolls was taken outside the Gem Spa at the southwest corner of St. Mark's Place and 2nd Avenue.
This cover for ‘The New York Dolls’ (1973) by The New York Dolls was taken outside the Gem Spa at the southwest corner of St. Mark’s Place and 2nd Avenue.
You might have been to the location of the cover of Ramones' 'Rocket To Russia' (1977) without knowing it.
You might have been to the location of the cover of Ramones’ ‘Rocket To Russia’ (1977) without knowing it.

KISS shot their ‘Dressed To Kill’ cover at the southwest corner of 23rd Street and Eighth Avenue in 1975. Rounding out Egan’s findings, Steely Dan’s ‘Pretzel Logic’ was shot at Miners’ Gate, a Central Park entrance, where the original pretzel vendor once stood.

KISS shot the cover to their 1975 album 'Dressed To Kill' on the southwest corner of 23rd Street and Eighth Avenue, looking north, New York.
KISS shot the cover to their 1975 album ‘Dressed To Kill’ on the southwest corner of 23rd Street and Eighth Avenue, looking north, New York.
This is another account worth reading in full.
This is another account worth reading in full.
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